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Open a larger version of the following image in a popup: The Last Gate: Queue to the Registry, Ellis Island, c.1900s The Last Gate: Queue to the Registry, Ellis Island, c.1900s. (Watermarks do not appear on the actual artwork.)
Open a larger version of the following image in a popup: The Last Gate: Queue to the Registry, Ellis Island, c.1900s Original glass camera negative, not for sale, display only. (Watermarks do not appear on the actual artwork.)

The Last Gate: Queue to the Registry, Ellis Island, c.1900s

Edition of 50
DP3117/13X19
Fine Art Print produced from digital file created from original vintage glass camera negative and printed on 100% cotton Canson Infinity Platine Fibre Rag Archival photo paper 310g/m2. Watermarks do not appear on the actual artwork. Print carefully fitted in 18" X 24" Bright White 100% cotton pre-cut Museum Exhibition mat board fully assembled with a double 4-ply beveled window and a 4-ply backing board,, 13 x 19 in 33 x 48.3 cm
The Last Gate: Queue to the Registry, Ellis Island, c.1900s
Sold
$ 350.00
Fine Art Print produced from digital file created from original vintage glass camera negative and printed on 100% cotton Canson Infinity Platine Fibre Rag Archival photo paper 310g/m2. Watermarks do not appear on the actual artwork. Print carefully fitted in 22" X 28" Bright White 100% cotton pre-cut Museum Exhibition mat board fully assembled with a double 4-ply beveled window and a 4-ply backing board,, 17 x 22 in 43.2 x 55.9 cm
The Last Gate: Queue to the Registry, Ellis Island, c.1900s
Sold
$ 400.00
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Ellis Island Immigrant Lines to Registry at Ellis Island A crush of hats fills the courtyard as new arrivals crowd the wooden stairs. Mothers in headscarves shepherd children forward; an...
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Ellis Island Immigrant Lines to Registry at Ellis Island

A crush of hats fills the courtyard as new arrivals crowd the wooden stairs. Mothers in headscarves shepherd children forward; an official on the landing clutches a stack of papers and calls names. Through the brick-and-limestone façade entrance of the main building—the “Great Hall” eyes watch from above. Every step is a heartbeat closer to America.

This photograph captures the moment between worlds: the pause before answers are spoken, identities confirmed, and futures decided. Look closely—the young girl shielding her eyes at lower left, the mix of bowlers, flat caps, and shawls, the women gripping folded documents, the interpreter poised beside the inspector. It’s the choreography of arrival, raw and unposed.

The “Registry” (short for the Registry Room, or Great Hall) was the final legal inspection at Ellis Island. Here, U.S. inspectors met immigrants at rows of desks and checked each person against the ship’s manifest. With interpreters, they asked a standard set of questions—name, age, last residence, occupation, literacy, destination and contact in America, who paid for the ticket, how much money was carried, and whether work or family awaited. If answers matched the manifest and no legal bars applied, the traveler received landing papers and stepped into the country. If something didn’t add up—or a prior medical mark required it—the person was detained for a hearing or hospital exam. For most, the process took only a few hours; for a few, it changed everything.

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Past in Present.com Inc private historical archive.

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