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Open a larger version of the following image in a popup: Harry Langdon, The Undisputed Queen of Disco — Donna Summer “Bad Girls” Studio Proof Image, 1979, 1979 The Undisputed Queen of Disco — Donna Summer “Bad Girls” Studio Proof Image, 1979. (watermarks do not appear on the actual photograph.)
Open a larger version of the following image in a popup: Harry Langdon, The Undisputed Queen of Disco — Donna Summer “Bad Girls” Studio Proof Image, 1979, 1979 The Undisputed Queen of Disco — Donna Summer “Bad Girls” Studio Proof Image, 1979. (watermarks do not appear on the actual photograph.)
Open a larger version of the following image in a popup: Harry Langdon, The Undisputed Queen of Disco — Donna Summer “Bad Girls” Studio Proof Image, 1979, 1979 The Undisputed Queen of Disco — Donna Summer “Bad Girls” Studio Proof Image, 1979. (cover)
Open a larger version of the following image in a popup: Harry Langdon, The Undisputed Queen of Disco — Donna Summer “Bad Girls” Studio Proof Image, 1979, 1979 The Undisputed Queen of Disco — Donna Summer “Bad Girls” Studio Proof Image, 1979. (label)

Harry Langdon

The Undisputed Queen of Disco — Donna Summer “Bad Girls” Studio Proof Image, 1979, 1979
Original vintage dye transfer print
20 x 16 in
50.8 x 40.6 cm
PH14331
Copyright The Artist
$ 7,500.00
Harry Langdon, The Undisputed Queen of Disco — Donna Summer “Bad Girls” Studio Proof Image, 1979, 1979
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Harry Langdon, The Undisputed Queen of Disco — Donna Summer “Bad Girls” Studio Proof Image, 1979, 1979
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An original studio proof image of Donna Summer created during the 1979 photo session for Bad Girls, her multi-platinum landmark album released by Casablanca Records. Photographed by Harry Langdon at...
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An original studio proof image of Donna Summer created during the 1979 photo session for Bad Girls, her multi-platinum landmark album released by Casablanca Records.

Photographed by Harry Langdon at the height of Summer’s global reign as the undisputed Queen of Disco, this dye transfer print survives as a production proof retained in her personal collection.

The work measures approximately 20 x 16 in. (50.8 x 40.6 cm.) and remains mounted to its original backing board (23 x 19 in.), with plastic and paper protective covers affixed along the top margin—clear evidence of its working studio or record label handling.

The mount is labeled “D.S. #18” in red pencil, with a corresponding designation on a pre-printed Casablanca Records decal affixed to the paper cover. Such internal cataloging suggests this image formed part of an organized production archive, likely reviewed for promotional, album, or press usage during the Bad Girls campaign. Unlike standard publicity prints, this example retains its original studio mount, label, and production markings—elements rarely preserved once promotional cycles concluded.

Released in 1979, Bad Girls became one of the defining albums of the disco era. Featuring the title track and “Hot Stuff,” the album solidified Summer’s global superstardom and marked the peak of disco’s commercial and cultural dominance.

The imagery from the Bad Girls era is inseparable from the late-1970s cultural landscape—bold, glamorous, and unapologetically confident. Photographs from this session capture Summer not just as a performer, but as a defining visual icon of the era.

Harry Langdon’s portraits from this period helped shape the visual mythology surrounding Donna Summer during her Casablanca Records years.

Studio proofs and internally cataloged mounted prints from major recording campaigns rarely survive intact—particularly those retained by the artist. For collectors of music history, disco-era memorabilia, 1970s photography, or Casablanca Records material, this is a museum-level artifact from one of the defining voices of modern popular music.

Medium & Production Significance: Dye transfer printing was an elite photographic process known for its exceptional color depth, tonal richness, and archival stability. By 1979, it was an expensive and selective process, typically reserved for high-level commercial or fine art applications.

Condition: The print remains mounted to its original board with attached protective covering and Casablanca Records decal label. Visible signs of age and handling consistent with production materials from the late 1970s may be present. Overall presentation remains strong and stable.

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Provenance

Casablanca Records Production Proof 

From The Collection of Donna Summer, as part of her personal estate collection.

Past in Present.com Inc private historical archive.

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